John Hall Band – Crazy

From his 1981 album, All Of The Above. The song reached #42 on Billboards Hot 100 chart on February 20, 1982. He was also a U.S. Congressman from the 19th district of New York from 2007 – 2011.

From Wikipedia

Hall began playing piano at age 4, and later studied French horn in school and taught himself guitar and bass. After changing his concentration to creative writing and performing in numerous musical ensembles, Hall quit college to begin his professional musical career in the clubs of Georgetown, D.C., and then in Greenwich Village. In 1967, his group Kangaroo released an album on MGM Records,[1] and Hall also composed music for a Broadway theatre trilogy Morning, Noon and Night. While playing at Cafe Wha in Greenwich Village, he met his first wife, Johanna Schier, with whom he moved to Woodstock, and then Saugerties, New York, wrote many songs and fathered a daughter, Lillian Sofi Hall. He also found time to release his debut solo album, Action in 1970.

In late January 1972, he founded Orleans in Ulster County, New York with Wells Kelly and Larry Hoppen. Lance Hoppen, Larry’s brother, joined the band later in that year, completing the Orleans lineup that would last throughout the band’s most successful period. Orleans released two albums on ABC Records, and two on David Geffen‘s Asylum Records label, the latter two including the top five hits “Dance With Me” and “Still The One” which are each certified by BMI at more than 4 million airplays in the United States. As part of Orleans, he was a songwriter and session musician for artists that include Janis Joplin, Seals & Crofts, Taj Mahal, and Bonnie Raitt.

In 1977, Hall left to concentrate on the solo career that had begun with the Action album at the beginning of the decade and became active in the anti-nuclear movement, fighting to stop a nuclear plant planned for Cementon on the Hudson River, and co-founding Musicians United for Safe Energy with Jackson Browne, Bonnie Raitt, and Graham Nash. His second solo recording of that period (his third overall) included the title track “Power,” which became an environmental anthem performed by Pete Seeger, Peter, Paul and Mary, Holly Near, and the Doobie Brothers and James Taylor who cut it live at the No Nukes Concerts at Madison Square Garden. At the dawn of the 1980s, he formed the John Hall Band, which consisted of Hall, keyboardist and vocalist Bob Leinbach, bassist and vocalist John Troy, and drummer Eric Parker. The John Hall Band released two albums on the EMI America label with high AOR and MTV visibility but limited Top 40 success. “Crazy (Keep On Fallin’),” from the album All of the Above, was the band’s only major hit (U.S. #42).[2]

Hall spent decades writing songs for other artists and reunited with Orleans in 1985, rejoining them intermittently up through 2006. Meanwhile, John and Johanna separated and divorced, and he moved from their house in Saugerties, New York, living briefly in Hunter, New York and later in Nashville. There he wrote more songs including co-writing Steve Wariner‘s #1 country hit “You Can Dream of Me,” began touring with Jonell Mosser and Freebo, and continued sporadically performing with Orleans. More importantly, he met and fell in love with Pamela Bingham, a guitarist and attorney whom he would marry in 2001. In 2005, he released Rock Me on the Water, an album of songs inspired by an extensive sailing trip that took John and Pamela Melanie (as she is known to her friends) from Kingston, New York, to Key West, with a side-trip to Havana, Cuba on a legal humanitarian aid delivery, and later Martha’s Vineyard, Cuttyhunk, and Annapolis, Maryland. He also formed the band Gulf Stream Night with longtime Orleans drummer Peter O’Brien, percussionist Joakim Lartey, bassist Bobby MacDougal, and his wife Pamela, who co-wrote four of the songs on the CD, on vocals and guitar. Having sold the boat and moved back to the Hudson Valley of New York, this time to Dutchess County, the Halls began to settle in and make new friends in Dover and Millbrook, where “Gulf Stream Night” was recorded.

Orleans released a new CD in 2005, Dancin’ in the Moonlight, containing many of Hall’s writing collaborations, guitar parts, and vocals, as well as two songs co-written by John and Pamela Melanie Hall.

Hall put his musical career on hold during his time in office, but performed at the concert honoring the 90th birthday of Pete Seeger, supporting the Hudson River Sloop Clearwater at Madison Square Garden on May 3, 2009. He joined other performers in the singing of “Oh Mary Don’t You Weep” and later joined the entire cast for an encore, singing “Good Night, Irene“. In August 2011, Hall joined his MUSE cohorts Bonnie Raitt, Jackson Browne, and Crosby, Stills & Nash along with Jason Mraz, the Doobie Brothers, and Tom Morello for a benefit concert in Mountain View, California, proceeds to aid victims of the tsunami and nuclear meltdowns in Fukushima, Japan, and to promote renewable energy. John and Pamela Hall, along with co-lyricist Bob Furlong, wrote the song “I Told You So” and performed it with Browne, Raitt, and Nash at the concert.

Crazy

I’m crazy
Crazy ’bout the way you love me
Baby
I shiver every time we touch
But sometimes I worry
When you’re not around
I’m thinking is this love
Or something else we’ve found

But I keep on falling
Keep on falling in love
Falling back again
I keep on falling
Keep on falling in love

Well you’re crazy
So wild and free
It’s not easy
Living with a man like me no
All the miles between us
And all the time alone
Seem to fade away
When I get back home girl

And I keep on falling
Keep on falling in love
Falling back again
I keep on falling
Keep on falling in love

I’m falling
Yeah yeah

When you hold me
Keep me up all night
You make it easy
To forget about the trouble that we see
Should anybody
Love somebody this much
That this madness
Is magic to me

It’s crazy
It feels like it will never end
And it’s stronger
Stronger than it’s ever been
As the years go by
It will lift us higher
And there’s no (no) way (way)
To ever ever put out the fire

And I keep on falling
Keep on falling in love
Falling back again
I keep on falling
Keep on falling in love (again)
And I keep on falling
Keep on falling (keep on)
Keep on falling
Keep on falling
And I keep on falling
Keep on falling in love

Chris Rea – Working on It

From his 1988 album, New Light Through Old Windows. The song reached #73 on Billboards Hot 100 Chart on April 15, 1989, It also topped Billboards Album Rock Tracks Chart.

From Wikipedia

Upon release, Billboard listed the song as a recommended pop single and commented: “Top-five hit at album rock shows Rea’s new label affiliation to be a smart career move. Straight-ahead, four-on-the-floor power rock could find a home at pop outlets as well.”The Philadelphia Inquirer commented that the song “deserves hit status”.

Working on It

Oh how I’d love it girl, just you and me
Take the day and fly
But oh this job, it’s got the best of me
Tell you why, tell you why
Somebody above is in a desperate state
Some kind of urgency, the kind that won’t wait
I say tomorrow, he say today
And the man in my head well he tell me no way
Keep working
I got eight little fingers and only two thumbs
Will you leave me in peace while I get the work done
Can’t you see I’m working
Oh, oh I’m working on it
Oh, oh I’m working on it
Well they’re coming from above me
And they’re coming from below
Yea they’re in there right behind me
Everywhere that I go
And my buddy, he’s screaming down the telephone line
He say gimme, gimme, gimme
I say I ain’t got the time
Oh, oh can’t you see I’m working on it
Oh, oh I’m working on it
Yea, yea, oh tell ’em
How I’d love it girl, just you and me
Take the day and fly
But oh, this job it’s got the best of me
Tell you why
Well they’re coming from above me
And they’re coming from below
Yea they’re in there right behind me
Everywhere that I go
My buddy, he’s screaming down the telephone line
He say gimme, gimme, gimme
I say I ain’t got the time
Oh, oh can’t you see I’m working on it
Oh, oh I’m working on it
Oh, oh I’m working
Oh, oh can’t you see I’m working on it
Source: LyricFind
Songwriters: Christopher Anton Rea

Valley Girl movie

freefallin14's avatarFree Fallin'

This movie was released in 1983. It was the wrong side of the tracks kind of movie. It was about a Valley Girl Julie played by actress Deborah Foreman that had a boyfriend that took her for granted. She met Randy who was played by actor Nicolas Cage who was raised in Hollywood. No Valley Girl would be seen dead with someone from Hollywood. Julie’s parents were old hippies that had turned into yuppies. Julie’s father played by Frederick Forest reminded me of Sonny Bono because of his mustache and the 60’s clothes he wore. Julie and Randy fell in love but peer pressure started to get to Julie and she broke it off but it was not the end for them things go crazy at the high school prom.

I loved this movie mostly because it was about an outcast like Randy but in real life, most outcasts don’t…

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AC/DC – Can’t Stand Still

This is my contribution to Song Lyric Sunday for Jim Adams’s blog. This week’s prompt…Lean/Sit/Stand.

From their 2000 album, Stiff Upper Lip. The song never charted.

From ultimateclassicrock

On Feb. 28, 2000, almost exactly a quarter-century since the release of their Australia-only debut High VoltageAC/DC rocked back into action with Stiff Upper Lip. This 13th studio album proved once again that millenniums could come and go, but it would take a lot more than some silly Y2K hysteria to slow down this hard-rock institution.

In fact, that textbook AC/DC approach to blue-collar rock ‘n’ roll on steroids was never more in evidence than on Stiff Upper Lip. This was likely because, for the first time in 12 years and only the second time in 20, guitarists Malcolm and Angus Young were leaning on their elder brother George to handle production duties, just as he had (alongside longtime Easybeats partner Harry Vanda) for the group’s first handful of career-defining LPs back in the late ‘70s.

This decision to go back to the basics was not one taken lightly, but rather one specifically motivated by AC/DC’s dissatisfaction with producer Rick Rubin during the protracted Ballbreaker sessions five years earlier. Though it was hard to argue with the results, Rubin’s exacting perfectionism and snail-paced recording style simply rubbed singer Brian Johnson, bassist Cliff Williams, drummer Phil Rudd and especially the Young brothers the wrong way.

It’s therefore no wonder that reconnecting with George for Stiff Upper Lip brought forth some of Malcolm and Angus’ most direct, unencumbered and unembellished songwriting instincts. The dozen tracks they captured in a matter of weeks at Vancouver, Canada’s Warehouse Studios notably replaced unbridled bombast with unusual restraint that, in many ways, harked back to the band’s founding musical principles. Tellingly, Warehouse became AC/DC’s go-to recording studio thereafter.

Read More: How Brotherly Love Got AC/DC Back to Basics on ‘Stiff Upper Lip’ | https://ultimateclassicrock.com/ac-dc-stiff-upper-lip/?utm_source=tsmclip&utm_medium=referral

Can’t Stand Still

When I see a pretty woman
You know it gives me a thrill
And she’s a tailor made to order
You know I can’t stand still
And you won’t need a doctor
’cause it’ll cure all ills
And when I hear a noisy party
You know it gives me a chill
It gets me rockin’ and a rollin’
And I can’t stand still
From morning ’till midnight
You know I can’t stand still
You know I can’t stand still
I can’t stand still
You know I can’t stand still
I can’t stand still
From morning ’till midnight
You know I can’t stand still, oh yeah
When it comes to sippin’ honey
You know I drink my fill
And I’ll be dancin’ on the water
You know I can’t stand still
From morning ’till midnight
You know I can’t stand still, oh yeah
You know I can’t stand still
I can’t stand still
I can’t stand still
You know I can’t stand still
From morning ’till midnight
You know I can’t stand still
You know I can’t stand still
I can’t stand still
Baby I can’t stand still
I just can’t stand still
From morning ’till midnight
You know I can’t
You know I can’t stand still
Thank you lads, thank you lads, thank you

Tommy Conwell, The Young Rumblers – I’m Not Your Man

From his 1988 album, Rumble. The song reached #74 on Billboards Hot 100 chart on October 22, 1988, and #1 on the mainstream rock chart.

From Wikipedia

Tommy Conwell (Thomas Edward Conwell) (born January 14, 1962) is a US guitarist, songwriter and performer. He is best known as the frontman for the Philadelphia-based band Tommy Conwell & The Young Rumblers. The band had a #1 US mainstream rock hit in 1988 with “I’m Not Your Man”, which also peaked at 74 on Billboard’s Hot 100 Singles chart. The original band, consisting of Tommy Conwell (guitar, vocals), Paul Slivka (stand-up bass) and Jimmy Hannum (drums), was known for its raw, high-energy live performances which included many classic blues and rock standards. such as “Hideaway” by Freddie King, “Rumble” by Link Wray, “Time Has Come Today” by The Chambers Brothers and “Downtown Train” by Tom Waits, together with several original songs, some of which appeared on the debut album, Walkin’ on the Water. Other signature tracks such as “Demolition Derby”, which many[who?] felt exemplified the band’s raw three-piece sound, were abandoned following the shift of the band’s sound following the addition of two members, keyboard player Rob Miller and Chris Day on guitar.

Tommy Conwell and the Young Rumblers had moderate success in 1986 with their independently released album, Walkin’ On the Water. The band’s national major-label debut came when Columbia Records released Rumble in 1988, followed by Guitar Trouble in 1990. A third album was recorded, but the label chose not to release it. Conwell has made that available on his website.

I’m Not Your Man
Baby before hangaround this old moldy, mildewy, n crappy
Scene holding hands wit you!
Here`s a whole list of things you`re gonna have to do
Jump off the Empire State in a paper sack!
Talking lovey-dovey to a camel scare the hump off his back
Get the Queen of England`s golden shoes
Put `em on your feet and sing the St. Louis blues…Look here!
Seven days a week with you is more than I can handle
Seven nights of love and dirty laundry on your floor
Baby I can see this whole thing heading into trouble, I’m out the door
I’m not your man cause you’re looking for a hero, baby it ain’t me
I’m not your man, I ain’t nothing 2 hold on 2, baby I ain’t what U need
It’s easy being here but I’ve got ground to cover
There’s nothing you can do to make me wanna stay
Though I’ve been here awhile don’t think that I’ve stopped moving
I’m on my way
I’m not your man ’cause you’re looking for a hero, baby it ain’t me
I’m not your man, I ain’t nothing 2 hold on 2, baby I ain’t what U need
‘I might be a clown but I can get down on my guitar, so hear y’all!
I’m not the one you’re gonna take home to your daddy
I’m not the one to sit around with making plans (I’m not your man)
I’m not the one you’re gonna settle down & marry, I’m not your man
I’m not your man, cause you’re looking for a hero, baby it ain’t me
I’m not your man, I’m not the one U wanna cry to, baby in your sleep
I’m not your man, cause you’re looking for a hero
I’m not your man, I ain’t nothing to hold on to…
There ain’t no tomorrow baby there’s just right now
(I’m not your man)
You know you got to have some fun while you still know how
(I’m not your man)
Do a monkey-chasing line up a coconut tree (I’m not your man)
A sweet little angel that I ain’t ever gonna be! (I-I-I-I-I-ooh)
(I’m not your man…I’m not your man…I’m not your man…I-I-I-I-I-ooh)
(I’m not your man) All the way (I’m not your man) Like I said
(I’m not your man) Look here! (I-I-I-I-I-ooh)
(I’m not your man) All the way (I’m not your man) Hey
(I’m not your man) Look out, y’gotta look out! (I-I-I-I-I-ooh) Oh
(I’m not your man) All the way…[fade]
Source: LyricFind
Songwriters: Marcy Rauer / Tommy Conwell

Orion The Hunter – So You Ran

From their 1984 self-titled album. The song reached #58 on Billboads Hot 100 chart on June 30, 1984.

From Wikipedia

Orion the Hunter was a 1980s rock combo and offshoot of the popular band Boston. It featured former Boston members Barry Goudreau on guitars and Brad Delp on backing vocals, as well as future Boston lead vocalist Fran Cosmo.

The band was originally known as simply “Orion”, but the name was changed to “Orion the Hunter” in deference to pressure from Orion Pictures. The group’s self-titled album in 1984 on Portrait/CBS Records, which yielded a hit single “So You Ran,” featured the sky-high vocals which prompted Cosmo’s entrance to Boston in the early 1990s.

Orion the Hunter featured Bruce Smith on bass and ex-Heart drummer Michael DeRosier. The album also included Brad Delp, former lead singer of Boston, who co-wrote four songs and sang background vocals on numerous tracks. Delp’s vocals are especially noticeable on the ballad “Joanne” which he co-wrote with lead singer Fran Cosmo.

So You Ran

Woke up this morning and you were gone
Found your note by the telephone
You said goodbye
I won’t be back this way
I guess in time Ill figure it out
The flame burned and flickered out
You sped away and you burned down the highway
So you ran (you keep on runnin’)
took the heart of a lonely man
I hope you’d say
but now you’ve gone away
Seemed like I never got a hold on you
The harder I tried the more desperate I grew
I should have known I couldn’t change your heart
You once said you need to be free
Oh babe you could have been with me
You fade away like the sun turning to darkness
So you ran (you keep on runnin’)
took the heart of a lonely man
I hope you’d say
but now you’ve gone away
In this life we might find our way
But love is more than just day to day
Why (Echo) why why why
So you ran
So you ran
So you ran
Baby
I wonder who your with tonight
Can he save you from the sacrifice
Will he love you hold you
For another day
Or is it just a stop on your lonely highway
Baby
So you ran (you keep on runnin’)
took the heart of a lonely man
So you ran
I hope you’d say
but now you’ve gone away
Source: LyricFind
Songwriters: Barry Goudreau / Francis Migliaccio
So You Ran lyrics © Sony/ATV Music Publishing LLC

Rhythm Corps – Common Ground

The title song from their 1988 album. The song reached #104 on Billboards Hot 100 chart on September 24, 1988.

Common Ground

Can we meet on common ground
Are our views so far apart
there’s no room to be found
Can we speak without the sound
Of a world gone quite insane
Can we start settling down
I’ll not play the scene where the
threats start flying
You’ll not have to scream
’cause we’re not that stupid
Are your walls all brick and stone
and far from tumbling down
Can we seat ourselves around
A table for a while and talk like
friends we have found
We’ll not have to dream
of a peaceful one day
Are our views so far apart that
there’s no room to be found
Tell me can we meet on common ground
Source: Musixmatch
Songwriters: APRAHAMIAN GREGORY F / HOLMBO DAVID L / LOVSIN RICHARD S / PERSH MICHAEL ROBERT

The Pursuit of Happiness – I’m an Adult Now

From their 1988 album, Love Junk. The song reached #6 on Billboards Alternative Song chart and #6 on the Modern Rock chart plus #22 on the Mainstream Rock chart in January of 1989.

From Wikipedia

I’m an Adult Now” is a song by Canadian band The Pursuit of Happiness (TPOH). It was written in 1985, and produced independently and first released in 1986 as a 12-inch single. Later that year, the band released a self-produced music video. As a result of the video viewership, all copies of the 12-inch single the band had pressed sold out. The band became an “independent success story” because of the song and video, and owing to this popularity was signed by Chrysalis Records in 1988.

The record label managers asked lead singer and songwriter Moe Berg for a list of “dream producers” for the band’s forthcoming album, and he asked for Todd Rundgren. Berg was “shell-shocked” when Rundgren called him while the band was performing a soundcheck before a show in Winnipeg, telling Berg that he would be producing the band’s album. Rundgren flew to Toronto to see the band perform in concert at the Diamond Club. After a Canada Day concert, the band drove from Toronto to the Utopia Sound Studios in Lake Hill, New York, where they set up for recording the next day. A preview concert was held at Lee’s Palace on 23 September 1988, and the album Love Junk was released on 26 October 1988. By March 1990 it had been certified a platinum album by Music Canada, exceeding 100,000 units shipped throughout the country. (Rundgren also produced the band’s second album, One Sided Story.

 

The original from 1986

I’m an Adult Now

Well, I don’t hate my parents
I don’t get drunk just to spite them
I’ve got my own reasons to drink now
I think I’ll call my dad up and invite him
I can sleep in till noon anytime I want
Though there’s not many days that I do
Gotta get up and take on that world
When your an adult it’s no cliche it’s the truth
‘Cause I’m an adult now
I’m an adult now
I’ve got the problems of an adult
On my head and on my shoulders
I’m an adult now
I can’t even look at young girls anymore
People will think I’m some kind of pervert
Adult sex is either boring or dirty
Young people they can get away with murder
I don’t write songs about girls anymore
I have to write songs about women
No more boy meets girl boy loses girl
More like man tries to understand what the hell went wrong
‘Cause I’m an adult now
I’m an adult now
I’ve got the problems of an adult
On my head and on my shoulders
I’m an adult now
I’m an adult now
I’m an adult now
I can’t take any more illicit drugs
I can’t afford any artificial joy
I’d sure look like a fool dead in a ditch somewhere
With a mind full of chemicals
Like some cheese-eating high school boy
‘Cause I’m an adult now
I’m an adult now
I’ve got the problems of an adult
On my head and on my shoulders
I’m an adult now
Sometimes my head hurts and sometimes my stomach hurts
And I guess it won’t be long
For I’m sitting in a room with a bunch
Of people whose necks and backs are aching
Whose sight and hearing’s fading
Who just can’t seem to get it up
Speaking of hearing, I can’t take too much loud music
I mean I like to play it, but I sure don’t like the racket
Noise, but I can’t hear anything
Just guitars screaming, screaming, screaming
Some guy screaming in a leather jacket
Woah!
I’m an adult now
I’m an adult now
I’ve got the problems of an adult
On my head and on my shoulders
I’m an adult now
I’m an adult now
I’m an adult now
I’ve got the problems of an adult
On my head and on my shoulders
I’m an adult now
I’m an adult now
I’m an adult now
I’m an adult now
Source: LyricFind
Songwriters: Moe Berg

The Truth – Weapons of Love

The title track from their 1987 album. The song reached #65 on Billboards Hot 100 chart on June 20, 1987, and #7 on the Billboards Rock chart.

From wikipedia

The group was formed by Dennis Greaves, formerly of Nine Below Zero, and Mick Lister in early 1982. They went through several line-up changes, but Greaves and Lister remained members throughout the group’s run. They released several singles before their first album, Playground, was issued in 1985. The 1987 release Weapons of Love marked a stylistic change, and was their most commercially successful release in the United States. The title track was a hit single in the U.S., reaching #7 on the rock charts and #65 on the Billboard Hot 100. Several songs from the album were also used in the 1987 cult sci-fi film The Hidden. After 1989’s Jump, they disbanded.

Weapons of Love

Whoa oh oh…

In this situation
In which I have fallen
I can’t see to lose you
You have it down down down yeah

Everywhere I go to run
You’re just a step away, just a step away
And I know that in my heart
Your promises are just a kiss away

Whoa oh oh… weapons of love
Stop hurting me
Whoa oh oh… weapons of love
They’re killing me yeah

Now I stand accused
Of the crime this time
I’ve been a fool for you
You turned me down down down yeah

Everywhere I go to hide
You’re just a breath away, just a breath away
And I know that in my mind
Another heartache is just a kiss away

 

Green Day – Boulevard Of Broken Dreams

This is my contribution to Song Lyric Sunday for Jim Adams blog. This week’s theme is…Drifter/Loner/Transient/Vagabond.

From their 2004 album, American Idiot. The song reached #30 on Billboards Hot 100 chart on July 2, 2005. The song won a Grammy for record of the year.

From songfacts

This song is about estrangement and the recognition that the American Dream can let you down. The singer’s hopes have been crushed, and he finds himself very much alone.

This follows the main character from Green Day’s song “Jesus Of Suburbia.” He leaves town, has one crazy first night and now it’s kind of like the hangover. He’s just walking, thinking about whether it was the right decision leaving where he used to live.

In the music video for this song, you can also hear the last faded bits of “Holiday,” the other hit from the album, in the background, as this song is the follow up to that. They are using the same car as the one in the “Holiday” video.

Boulevard Of Broken Dreams

I walk a lonely road
The only one that I have ever known
Don’t know where it goes
But it’s only me, and I walk alone
I walk this empty street
On the boulevard of broken dreams
Where the city sleeps
And I’m the only one, and I walk alone
I walk alone, I walk alone
I walk alone and I walk a
My shadow’s the only one that walks beside me
My shallow heart’s the only thing that’s beating
Sometimes I wish someone out there will find me
Till then I walk alone
Ah ah ah ah ah
Ah ah ah ah ah
I’m walking down the line
That divides me somewhere in my mind
On the border line of the edge
And where I walk alone
Read between the lines
What’s fucked up and every thing’s all right
Check my vital signs to know I’m still alive
And I walk alone
I walk alone, I walk alone
I walk alone and I walk a
My shadow’s the only one that walks beside me
My shallow heart’s the only thing that’s beating
Sometimes I wish someone out there will find me
Till then I walk alone
Ah ah ah ah ah
Ah ah ah ah ah
I walk alone, I walk a
I walk this empty street
On the boulevard of broken dreams
Where the city sleeps
And I’m the only one, and I walk alone
My shadow’s the only one that walks beside me
My shallow heart’s the only thing that’s beating
Sometimes I wish someone out there will find me
Till then I walk alone
Source: LyricFind
Songwriters: Michael Pritchard / Frank E. / Iii Wright / Billie Joe Armstrong